av. Out in the Mountains |May 2000 Chris Bohjaian at home. Voices from the Margins continued from pg 31 “She was livid and devastated,” says Bohjalian. Upon her return to New York City, she asked her boyfriend to move in with her until the surgery, hoping that he would see the error of his ways when he experienced what she was sure would be the wonderful life they would share. He moved in, but it soon became clear that he wasn’t going to change his mind. The cou- ple broke up and went their separate ways. A couple of years later, long after that former boyfriend had recovered from surgery, the same friend came back to Vermont for a visit. Again, she was alone. “Late one night, over too much wine,” he recalls, “she told us that not a_ day went by where she didn’t think of this other person.” She lamented the fact that, due to her hang-ups about gender and sexual preference, she would live the rest of her life without the person she was certain was her soul mate. Here was the conflict that fascinated Bohjalian. The result of that fascination is a compelling novel that at once illuminates a world new to most readers and depicts one with which many in Vermont are becoming acutely familiar. Trans-Sister’s setting is a town that Addison County residents may recognize as patterned on Bristol. Bohjalian has inhabited his fictional town with characters so believable and endearing that for weeks after finishing the book, it is difficult to fight the urge to pick up the phone to call and see how they are doing. Trans-Sister has four narrators. Allison Banks is an attractive, vivacious elementary school teacher in a small Vermont town. Will is Allison’s ex-husband, and Carly is their only daughter, in her first year at Bennington College. University of Vermont pro- fessor Dana Stevens is the first man Allison has fallen in love with since her divorce years before. Together, the four lead the photo: Barbara Dozetos reader through fourteen remarkable months in their lives. Rather than confusing the reader, the multiple voices give greater insight into the emotions of this story. Bohjalian is less a creator of his characters than a medium. He speaks of the players in his stories as if they are real people, in some cases dear friends. Dana Stevens is a particular favorite of the author’s. “I always enjoyed her company,” he remembers. “She has a great sense of humor, she’s intelligent, and a great per- spective on the controversies she inadvertently creates.” In short, he says, “Dana is loads of fun to hang around.” The most gripping part of the book might be, as one would expect, the description of the gender reassignment surgery. Using Dana’s wit, the author imparts an enormous amount of minute detail in a tone more reminiscent of Gramma’s chocolate chip cookie recipe than a medical textbook. “I have to admit,” quips Bohjalian, “I had my legs crossed the entire time I was writing that.” ' Though the novel is a love story on many levels, it is laced with the pain inherent in going against societal norms. Allison has to deal with small-mindedness incarnate in the principal of her school. Glenn Frazier, says Bohjalian, is one of the most despicable characters he’s ever channeled. The disapproval bare- ly veiled by insincere concern for her plight hits close to home for Vermonters these days. The timing of the release of the novel at the height of the furor over same-gender relationships is purely coincidental; Bohjalian began writing it before the Baker case was even filed. He seems to have a knack for such timing. Water Witches, about a drought in Vermont, came out as the state experienced one of its driest summers on record. “Someone told me I should have written a book about peace in Bosnia,” laughs Bohjalian. He credits his gift for pushing thematic envelopes to marrying well. “One of the great benefits of marrying into a family of women,” says Bohjalian, “is that they keep me honest. I have four sisters-in-law, any one of whom, on any given day, is happy to remind me that most of the time, I ’m a guy who doesn’t quite get it.” V Chris Bohjaian at home. photo: Barbara Dozetos