>> inside axe FRED HERSCH WITH THE VSO ............................................................................................ ..31 ‘HOWARD CRABTREE’S WHEN PlG’S FLY TO BENEFIT BARNEY BY EICHBAUER BY ROTHBLUM ..................................................... .................. .. 33 DOWNLOADABLE EXTRAS FOR YOUR COMPUTER CALENDAR ................ ........................................................................................................... ..35 .~....-o-................_.._.._....__._ ViEBiM0ur'sA1|£u [WE cnnn.nn£As£s nnsr en -.,....-.—... MARCH.99 A IIHIIEW BY lllllill 0071! ................ _._..,..__...~ .. ne of the greatest joys of watching a drag performance comes when something 's revealed rather than concealed, when all of the makeup and accessories allow ‘ - expression of a previously hidden talent. , ears ago, I experienced such a moment as I watched a taping session of The rie and Yolanda Show. After an hour or so of playing the part of The Big- ed Bimbo Blonde in counterpoint to Cherie Tartt’s relatively mild-mannered gwestem refugee, Yolanda picked up her guitar, turned to the audience, and ‘V. ivered a beautiful rendition of her song “Angels.” ’ In the following years, Yolanda established herself as a serious presence on the Burlington music scene. While songs such as “The Sickness of Beauty” and “Alien Love Child” offered humorous takes on the transvestite life, “Cool Intellect,” “Right to Surrender” and others demonstrated Yolanda’s stylistic continued on next nage