W, - -,v ---My-* '~‘y.‘~nr"‘:y; - -.5 ~ ~.~ - ~fTv7"!«',‘**~¢r2.¢v;.‘#s:’"‘.""' .'= -v 5 -. ’ - ~a.rs:rv-.-arr-_3.v-.-::t“_.‘.'-‘u,~.—~ .,——.-—w—--.-:--.-‘~‘ < ~ --7 ——._- _,,p 12 — Our IN THE MOUNTAlNS — SEPTEMBER 1997 BY SAL INGLIMA The standard bearers of the Beat movement took their tandem leave of our century right before it speeded to its hasty close; Allen Ginsberg and William S. Burroughs jumping off hand in hand, within six months of each other into the non-time void. The Beat movement doesn't seem to fit quite right as a stiff historical movement, Ginsberg and Burroughs con- stant ubiquity in the eye of the media and other poets and art- ists lives seem to ensure the spirit of their age and unique sensibility won't die with their passing. A scanning of films, albums, cd’s, music videos, and magazine articles through- out the last 25 years would re- veal the enduring presence and relevance of these two founders of what will probably be the last of the clearly recog- nizable literary movements as we move into what is surely, with the Internet and TV’s help, the post-literary age. WHAT might be the most accurate way to reflect on the impact and import of this duo would be to look at the ter- rain and landscape before their arrival. Ginsberg and Burroughs alit on the surface _ of a lies-induced bourgeois Eisenhowerian Middle-Ameri- William S. B can coma and h to the truth wit and splendor o Disowned. Ginsberg ing and elevat‘ belly of Repres his Whitmanes way, and Bur Doctor Benway veal what kind infections the r caused, albeit of Rabelaisian sardonic accura e tioner who h . blade. Which is Which is to sa America witho When would out and how, Lunch, without Queer and junk Odes? Rememb ting squat and singing affectationless, Concertina whil the Apocalyps Remember Bur ing gaunt and s and fedora in ” I boy” - Two prop derness, fitting our age september Gay Guy Get Together in Ludlow: “A Summer Lawn Croquet Party” 3-8pm RSVP Michael 228-4479. FMI call Carey (802) 254-8263. Brattleboro Area Gay Men’s Reading Club. 6:30-9pm Richard &_Michae|’s . 254-6239 18 Forest St., Brattleboro. The evening includes a potluck and a discussion of the book, “Our Lady of the Flowers” FMI Jonathan Campo 258-2693. GLITTER, Monday Nights 7:45- ’ 10:00pm at Rhombus Gallery, Corner %§'Book Night, Ia/as on/ze 0/4» by A not College and Church St, Burlington. Armistad Maupin. Available at Chassman & Bem on Church St, B'ton (10% off it you mention GLITTER). We’l| pick a book for Oct. ' Social Alternatives for Men (SAM) movie night. Bring your favorite movie to share with theboys and we will de- cide then. Call 649-3133 FMI. “Bottoms Up!” Gay/Bi men’s work- shop devoted to exploring anal plea- sure & health. This free, confidential event, to take place in a private resi- dence in Brattleboro, will include fun, frank discussions and a demonstra- tion of the female condom for anal sex btwn. men. 7pm.,FMl- Carey 25.4.-8.26 he Craftsbury Chamber Players are to be ap plauded for their "Sum— mer Music Festival 1997" series of six weekly programs, each presented in three different Vermont forums during the months of July and August. Attendance at four of these at the UVM Recital Hall on the Redstone Campus in Burlington provided an op- portunity to hear some seldom performed works for smaller ensembles. Reperetory was carefully chosen to represent all periods of musical development from the Golden Age Baroque through this very minute, and, by and large, was well played. The mindset of the ensemble player has to be very different from that of the soloist, and these musicians were very clearly present to work to- gether to serve the art, not any individual. Moments approaching - greatness were achieved in the third concert by the ensemble playing Prokofief's Opus 39 Quintet (marred only by exces- sive wind-business: where does all that spit come from?) and by Mary Anthony Cox, Pi- ano; Marshall Coid, Violin; and Peter Schoettler, Horn; in Brahms's Trio, Opus 40. Shoettler played this work on a valveless instrument, as specified by the composer, and made it — top to bottom — with- out cracking a single note. Marshall Coid impressed again in the fourth concert, with his marvelously insouci— ant reading of the Poulenc So- nata for Violin and Piano. The last concert included Phillip Lasser's relatively new sonata for Flute and-Piano, a thor- oughly approachable and en- gaging work, played admira- bly (definitively, one supposes) by the composer and Iames Zellers, Flute. Allen Fletcher Says... Not so great moments in- cluded Karel Husa's Evoca- tions of Slovakia, which might have been subtitled "Preludes to Suicide on a Tuesday in late February." Dark instrumental colors and depressive, dour ex- pression are to be tolerated for only so long; and this work was much too long — for me, anyway. ’ Chamber music places certain sorts of practical limi- tations upon those who per- form it. Smaller forces (one player per part) get lost in big spaces, playing has got to be surgically accurate, and audi- ences have to be extremely well behaved. Craftsbury gets high marks for the quality of the playing and their audi- ences get high marks for com- portrnent. Unfortunately the UVM Recital Hall is not a con- genial acoustic environment for this sort of music making. (Whoever designed the hall seems to have been aiming to- ward a big, bright sound.) The mark was missed. There were genuinely distressing moments in each of the four concerts I heard, which made me wonder whether anyone had bothered to listen from the hall during the rehearsals. Most pro- foundly were a phantom Horn player in the Brahms Trio who was just a tad behind and lurk- ing in the fire exit; and the as- tonishing balances of the clos- ing work of the series — a Borodin Quintet which was a real pot—boiler — during which the players were clearly work- ing very hard, flailing away in the best "this will really whip ‘em up" manner, but produc- ing a very small and inconse- quential sound. It was very much like watching an old film with a badly engineered soundtrack. The good points out- weigh the bad, however, and I can't wait until next summer. Be there! BMNEEW CATTLE EU. Lasso yourself some fun at Southern Vermont's only gay bar! Drink Specials, Great Shows, Latest. Dance Music Route 5 Brattleboro Between Exits 3 8. 4, I91 (802) 254-9830 —W@lECl@llD”§ @ ‘ 0 1. 5’? E? lire-allflls lb Steph Pappas Experience at 135 Pearl as part of The Burlington Music Conference. 8pm. 12-14 Radical Faeries Work Weekend on the land just purchased in Grafton. FMI contact Moon Morgan 254-6276. Late summer gay men’s weekend in the Berkshires, contact Brothers To- gether FMI (617) 247-3964. 09 NH Women's Music Festival. Contact POB 311 Concord NH 03302 or call (603) 255-3501 FMI. Women of The Woods end ofthe sea- ._son campfire in Williamstown, VT. 7 P-"1-FM‘ .¢.al=4?2-599°-. lliuz. lllill llllllllls D Micro» (draft & bottle) $2.75 $3.? Vermont's 2nd Annual Women’s Eco- nomic Security Conference, Vermont Technical College, Randolph, VT. 8am-4:30pm. No Cost. Free child care with advance registration. FMI call (800) 464-7232. AIDS Walk in Montpelier, to Benefit Vermont CARES. Walk starts at Mont- pelier High School at 9:30 AM. FMI call Leah at VT CARES 863-2437. "Welcome to Yolanda World", per- formed by Yolanda and The Plastic Family at 135 Pearl as part of the Burlington Music festival. 8 pm. 13-14 Tunbridge Worlds Fair & Mount Cube Hike Bob Bland 333-9448 b|and@sover.net. Join us for one day or both. On Saturday, we will attend the Tunbridge W.0r1d’s Fair. On Sun- DAR day, we’ll hike Mount Cube in Orford, NH. Starting at 9 am from the “lo- cals-only” trail off Schoolhouse Road. Free limited lodging for those who wish to overnight. Brattleboro Area AIDS Project Vol- unteer Appreciation picnic. Call Michael 254-8263. Tea Dance in Rutland, at Rio’s. 4- 10pm. Join Cherrie and Yolanda crashing the Tunbridge Fair with thier special date, Fred Turtle. continued next page