Or, How I Learned To V Stay Young and1'rendy out in the mountains BY CLARK SHElJ)ON~. Good Advice for Young Trendy People of All Ages Jennifer Blowdryer (Ed.) Manlc D Press 1 Softcover, 141 pages February 2005 in review of Good Advice for Young Trendy People of All Ages, edited by Jennifer Blowdryer, I decidedto make a list of a few main points that stuck out in my mind. First I’d like to convey what seems to be the commonthread connecting this compilation of short—essay advice columns: “To thine own self be true.” Borrowing directly from wise poet Shakespeare, Reverend Jen (our knowledge ' Dominatrix), advises on staying popular in modern art scenes, using this historical bit of knowl- edge’ to close out her essay. Contrary to popular queer trends, she urges us budding art stars to consistently arrive one minute early to parties: “There is no N n thinking about what to say sense in pretending that you are 1 there for the party when all you V care about is the free booze-and food.” Why waste all that energy on being fashionably late when you can use it to concentrate on eating? The essays span general smorgasbords of sage aging- punk—rocker knowledge to sober- ' ingly practical first-person knowledge about surviving while incarcerated. I appreciate the straightforward irony of the mix of perspectives each author brings. I appreciate, as a reader, that I can choose to take all advice with a grain of salt. Or, go out and experiment in being my own art star living for free oncredit cards, working rooms like a nightlife diva, screwing like a sexy stud in bed and being a damn good dominatrix. I want to share two nuggets of knowledge that make the book worthwhile and stretch beyond the realm of pop culture coolness. The first, and in my opinion most important, is “Never throw out drag, unless you’re dying.” I suggest giving old drag away to friends to wear, at your funeral, and if they don’t want it, you can send it to me. The second nugget is extract- ed from Mistress Daria’s advice on being a professional and cred- ible Dominatrix. She says, “If you take another’s power by force, you are not strong.” Consider this advice in any socio-political context, like a q side dish to current moral or eth- ically driven battles for leader- ship positions in Washington, DC, or as the philosophical theo- ry behind use of violence: it’s hard to not conclude that many of our country’s trusted and age-, old cultural norms and processes are founded explicitly on the belief that force is elemental to obtaining power! Are you wondering about the title of this review yet? The answer, including the concept ‘avant garde,’ requires quoting Jennifer Blowdryer The essays span general smorgasbords of sage aging- punk-rocker knowledge‘ to soberingly practical first- person knowl- edge about surviving while incarcerated. editor Jennifer Blowdryer: “I’d been the first punk in high school, an ardent fag hag back when that was frowned upon, a student at Columbia University while simultaneously appearing in skin mags, a campy and blithe stylist in an era of sincere and detailed writing — all kinds of things too early for surrounding society — and taken the blows. Jazz Philosopher Albert Murray, who_ spent his life in the Air Force in order to weather the storm of being an iconoclastic African-American critic, pointed out that ‘Avant Garde’ is a mili- tary term. It refers to the shock troops, the ones sent to the front of the battle who end up deadvor » badly wounded.” So the question remains, is being avant garde cool? I don’t - have an answer to myiown ques- tion and I don’t feel like ' Blowdryer’s book answers my quandary either. If being shock- ing ahead of your time in thought and appearance is going to bring pain, persecution and ridicule, then I would advise thinking it through carefully. I have a ring in my septum. My mother doesn’t like it, and after four years of nudging me to remove it, she has finally stopped asking. Having a piercing doesn’t put me on the frontline of cultural coolness but it does open up avenues for questions about why I’d ever wantto do “that” to my body. If being on life’s front line with visible piercings increases my mortality rate (so to speak), then my experience has provided more opportunity for conversa- tion with strangers on downtown sidewalks and fewer direct threats and not, in the military sense,real potential for death. I speak carrying a lot of privilege, and really, this book review isn’t about me so I’ll carry on.‘ " What does avant garde con- jure in your mind? Mostly,vI think of visual .art as the picture (no pun intended) definition of avant garde. For example, Jackson Pollock’s paintings shocked audiences when first unveiled. Now he’s seen as a leading‘ creative staple in the I cosmopolitan world of art and history. I’ll argue Blowdryer suggests the same for punk cul- ture, punk music and punk community. . Blowdryer admits that at the age of 40 she’s settled comfort- ably into the margins of society. Fortunately it’s not my responsi- bility to define social nonns and cultural appropriateness. That means I don’t have to do any- thing in particular to either be or not be on the front line of trend setling and trend breaking. This collection of essays is a primer. Think of Good Advice . for Young Trendy People of All Ages as the theory book of cool. The book provides the tried and tested tools with which to create new versions of hipness. Rock on, dear reader, and don’t forget to send me that drag. ‘V Clark Sheldon, InterContinem‘al Man of Mystery, collects vintage Harley Davidson motorcycles in his dreams and resides in Burlington is Old North End.