MONDAYS @ THE WAITING ROOM 7PM to MIDNIGHT ._ENTERTA|NMENT; ATMOSPHERE THE WAITING ROOM www.thewaitingroomvtcong 156 St. Paul 1 B|.l|'|i|19t0|1P 2,pm.1 1 pm Oi3TRlGHTV‘f.arg Coming Out Is In The etails BY CYNTHIA POTTS n the odd chance that nobody’s noticed, let me be the first to tell you: sometimes it’s hard to decide if you’re gay or not. Being 18 and a freshman at Columbia University isn’t exactly a piece of cake, either. Throw in some tough questions about finances, friendships, and parental relation- ships, not to mention a hefty dose of Jewish-tinged introspec- tion, and you’ve got Stanley Ely’s coming-of-age novel, In the Steps of Mister Proust. This novel, Ely’s sec- ond, is set in the early days of the AIDS era. It centers on the interaction between our protago- nist, Josh, his roommate, Richard, and his on-again, off- again lover, Dean. Tangential, yet still important, are Josh’s rela- tionships with his brothers and with his father, who had left the family four years earlier to move in with his lover, Hugh. Still stung by his father’s abandonment, Josh finds an unlikely solace in studying the works of Marcel Proust. Renowned for his exacting descriptions of everyday life, Proust seems an unlikely model for a college freshman. Yet it is this academic pursuit that helps Josh parse his feelings to the nth degree, as well as earn praise from Professor Hungerford. Ely does an admirable job of keeping Josh’s relationship with Hungerford a mix of profession- alism and intimacy — the hints are there, but the actions are never taken. It’s a motif that repeats throughout the book. J osh’s inter- actions with an attractive hustler named Al create a time-line of self-acceptance, almost as clearly as the awkward development of his relationship with Dean. Dean is an incredibly patient lover, apparently smitten with Josh at first sight, and will- . ing to wait through Josh’s orien- tation difficulties. A larger issue is Dean’s misshapen leg, a birth defect that Josh has a hard time going to bed with. Dean is unnat- urally complacent about Josh’s attitude, a jarring break with real- ity in an otherwise well-written novel. The only scene where Dean even confronts Josh about I his leg comes across flat and devoid of any real emotion. On the other hand, the scene where Josh accompanies ‘ his roommate home is exception-. ally done. We stand awkwardly with the young man in the . kitchen as he hears Richard tell his parents that not only is he gay, but he’s also HIV-positive. They’re not sure which is the bigger tragedy? an interaction that forces Josh to reconsider his relationship with his own father. Josh comes across as incredibly self-obsessed in his dealings with his father, which is a fairly accurate picture of most 18-year-olds. Even though his father is involved in the lawsuit of his life, Josh’s concerns center on whether or not his tuition will be paid without tapping into his trust fund. He does make some inquiries into financial aid, only to bring down dad’s wrath. Dad’s resistance to financial aid is another jarring tidbit — does any family put a child through uni- versity without incurring some debt? — but reveals a great deal about this complex, under-devel- oped character. Over the course of the novel, we get a tantalizing . of the subtle nuances ofa life in glimpse ofa relationship in flux, the subtle dance that occurs when the child becomes adult. ’ Like Proust, Ely takes his time working through the minutia oflife. We know all about Josh’s meal plans, his class i work, and a thousand other details that in themselves are wholly without significance. The artistry lies in tying these tiny points together to create a coher- ent whole, one that captures all transition. Proust was a great observer, and Ely follows in that tradition. ' The novel is aimed at a young adult audience, but would resonate better with readers old enough to remember the times being described. Today’s teens have encountered AIDS preven- tion information as early as ele- mentary school. As a result, Josh’s naiveté throughout the book would seem affected at best, willful ignorance at worst. Viewed with knowledge of the early l980’s, this book becomes an insightful companion on Josh’s journey into life as an , adult gay man. V Cynthia Potts lives with her fam- ily and an ever-growing collec- tion of animals in Plattsburgh, N Y She welcomes reader com- ; ments and can be reached at ctpotts@juno.com '