26 - OITN november 2001 ARTS publishing this boo/e. I was hauling my partner out in front of total strangers. As I heard Bill say these words, the image of Brian, which had formed in my mind as I read Outbound, fit com- -~ fortably with a partner who has been ‘hauled in front of total s t r a n g e r s . ’ Viewing the Scottish life through an indi- vidual such as Brian revealed the strengths of a different culture. The uniqueness of character that he ‘ shows, whether in his ability to stay focused as a sleep-deprived sailing companion during a fre- quently unscheduled shift in weather and sails, or as a supportive partner, gently prodding Bill, out of periods of gloom, reassured me as to Brian’s ability to meet -the challenge of sharing a pub- lished persona. A friend _of mine recently noted “no matter where I am traveling. . .1 am always home.” Three men sailed across an ocean while each of them continued journeying inside themselves. Outbound reminds us of how lives are so inter- twined. The other people in’Bill’s life moved through personal passages as well. “One of our first mail picle—ups included a note from my mother——briefi chatty, wishing us well. The last line startled me to tears. ‘I’m so glad you met Brian in time to share this wonderful experi- ence.’ Mild words, but, to me,— [it was] a bolt from the blue. So she /anew who he was to me and blessed us. They have chosen instead to show me, in their muted Lutheran way, that they li/ee, respect, and accept Brian, because our life togeth- er ma/ees me happy. I used to assume that some day we’d need to push on to a real face-ofi’, clear the air,- but I’z2e come to feel that would be a self- ish, possibly hurtful, indulgence on my part, and yet...and words like these on a page therefore ta/ee us into uncharted territory. In spite of his family traveling through new ter- ritories upon reading the final version, Bill received further validation from his parents. They had wisely agreed to read the book in its entirety before discussing it with one another. My Mom called saying “I loved your book, Bill. Frankly I didn’t think you should be writing all that but now I haveread all of it and it is great.” My Dad, member of church council and past U n i v e r s i t y A d m i s s i o n s Director, said, “I certainly learned a lot about you and Brian. I support you and applaud your courageous- ness.” Recognition from those who love us can be vital in our ability to accept our- selves and the lives we lead. Outbound intro- duces a perspective of choices and responses. The hopes we nurture within us grow as we acknowledge their worth. Believing in our abili- ties and moving within our own timing can foster and strengthen our sense of self. Looking" {lav jars!- i-he vi3M- 3142+? Find 1+ in the Max“ od- iGive.com on We Ailllilioxi-es Page axi- www.w\ouvd-aIv\pvio\eMeo\ie\.ov3 Frames! Cameras! Stocking staffersll a rlifetimel At PhotoGarclen, we're help g sh sign-up at www.thePhotoGarclen.com for on~line specials! The Eiqhl: Qeindeep by Jeff Goode November 29-30 F lynnSpace 7:30PM ' December 6-8 Shoebox Theatre 135 Pearl 8PM $8 general admission P l’ .Barl:’r:g“ton ..I§‘;ssex White bordered prints! -.s'»<,. 6“ ° -x E —- . _ /fife the spirit of the season! , °-Lye .3 , T1Cketgg§f£;?::g2 BUVM Lane Series /Vb Vember events Schocker/Weawc Ensemble Doulce Memoire from France performs Viva Napolil Music from 16th SARASA with Sanford Sylvan, Baritone Julian Lage and Martin’Taylor, jazz guitar Gary Schocker and Jason Vieaux ,\3"e 4.313.: a I\\.°° Julian Lage Martin Taylor!‘ . November 4, 3pm century Italy November 9, 7:30 pm Sacred Music of the Baroque November 17, 7:30 pm November 30, 7:30 pm Flute and Guitar duo | J‘ ww,w.uvm.edu/laneseries adult themes and , situations and is ‘intended for mature audiences. Not recommended for children under the age of 14. I This play contains . onoloques THIS AIN’T YOUR MoMMA’s,, CHRISTMAS STORY! 3. 4 4 .,_\_,m_