Gertrude and Alice: A Likeness to Loving Middlebury Co||ege’s Wright Theatre on April 3 and 4 For tickets, call 802-443-6433 Dartmouth C0|lege’s Moore Theater on April 6 and 7 For tickets, call 603-646-2422 Passion & Creativity BY MARIA TRUMPLER Nearly a century before Vermonters debated civil mar- riage for same-sex couples, Gertrude Stein asked Alice B. Toklas to be her wife. Gertrude had followed her brother to Paris after failing out of med- ical school and escaping a painful lesbian love triangle. Alice came to Paris as a respite from caring for her ailing father in San Francisco and was introduced to Gertrude by a family friend. For the next 39 years, they were lovers and constant companions. They hosted famous salons at their apartment that included Picasso, Matisse, and ‘Hemingway, as well as many lesser known and up-and-com- ing young writers and artists. They bought a Ford motorcar in 1917 and spent the last year of WWI transporting medical supplies around France. In 1929, they bought a country home in Bilignin where their neighbors later helped them hide from the occupying Nazi forces. A All the while, Gertrude was writing poetry and prose with a new attention to the words and their arrangement in a sen- tence. Her repetitions and each other ‘pussy’ and ‘dar- ling’ and expressing concern for each other’s “cows.” At the bottom of the manuscript ver- sion of Stein’s famous “A rose is a rose is a rose” is the line “She is my rose,” referring to Alice. But they also fought. One episode dramatized in this piece occurred when Alice dis- covered a packet of old love letters written to Gertrude by another woman. Alice was furious and burned the letters. Yet, the overriding image of their relationship is one of intense engagement, profound understanding, and deep com- mitment that generated and supported creativity and pas- sion. The show, which opened off—Broadway at the Foundry Theatre in New York City in the spring of 1999, is directed by Anne Bogart. Obie Award- winning actress Lola Pashalinski and New York Theatre Workshop’s associate artistic director, Linda Chapman, perfonn the work they created. The two women, themselves partners for 19 years, developed the piece using Stein’s own words, col- laborating with Stein scholar Ulla Dydo. For those who have found Stein’s language challenging in the past: be aware that the skilled delivery of Pashalinski reveals the music, playfulness, and acces- sibility of Stein’s speech. At Middlebury, the two per- formances will be the center- piece of a week long “Gertrude U [IRAN TRAVEL WHNWEEBB BBILAEEISQ HERE SIMVIE ,Al{lBBl.AN l’A(,KA(nl S sllbhlh "0Ns! ‘ l‘ ‘ ‘ E32! 1 1 1 1 1: I 1 St. Thomas from $849 any april 2oo1 OITP1-23 and Alice Symposium,” which will highlight various aspects of the two women’s lives. On Monday, April 2, at 8 pm, there will be a screening of the documentary, Paris was a Woman, directed by Greta Schiller, which portrays the lively lesbian culture of American expatriates in Paris in the l920’s. On Tuesday, .April 3 at 4 pm, students will lead a workshop in interpreting Stein poems. On Wednesday at 12:30 pm, Linda Chapman and Lola Pashalinski, the two actresses and writers, will lead a lunch-time discussion of their work in Wright Theatre with lunch provided. On Thursday afternoon, Maria Trumpler, Dean of Ross Commons, will speak on “Passion .and Creativity in the Lesbian Love Letters of Gertrude Stein, Emily Dickinson, Rachel Carson, Radclyffe Hall and Margaret Mead,” at 4:15 pm. Throughout the week, there will be a display of works relat- ing to Gertrude Stein at the Starr Library Special Collections. Affiliated with TZELL New England edwardd@tne.tze|l.com ARE 'l‘l{AVE L AIRFARE ONLY: small variations revealed nuances of meaning and ambi- guity to the attentive and per- sistent reader. Her earlier works, however, met with only rejection letters from publish- ers. Alice, convinced from their first meeting of Gertrude’s genius, finally set out to pub- lish Gertrude’s works herself. 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