How Queer PREVIEW BY RICH BENNETT Though audiences have welcomed the feel-good comic exploits of Will & Grace into their living rooms, the acceptance of gay lifestyles on American televi- sion get a test on December 3 when Showtime premieres its drama series Queer as Folk. To get a sense of what the show will be like, imagine Will & Grace at its funniest and bitchiest, add more gay and lesbian characters, toss out all the well-intentioned politically correct dialog, and graphically show Jack doing all the things he only talks about. Adapted from a controver- sial British series, Queer as Folk promises to be a flash- point for both ends of the political spectrum. If reaction invthe UK is any guide, the right will be shocked and appalled, and the left will crit- icize the show for perpetuat- ing stereotypes of urban, image-conscious gay men who live for sex. i A ' A In the original series, the show focused on the relation- ship between a pair of 29- year-old friends, Stuart and Vince, living in Manchester, England. Stuart is a success- ful advertising executive whose life revolves around his libido, and Vince is a self- effacing grocery manager who has carried a torch for Stuart since they were school- mates. That relationship undergoes upheaval as two new people enter their lives: Nathan, a teenager who has just come out, and Alfred, a child Stuart has fathered for a lesbian couple, Lisa and Romey. The show’s frank depiction of homosexuality garnered lots of attention. There was abundant nudity and plenty of outrageous encounters, but nothing we haven’t seen before between heterosexual couples in an R-rated film. But that in-your—face sexuali- ty and Nathan’s age (15) had many up in ‘arms. Despite all the controversy, the show became a hit, pri- marily due to the strength and intelligence of its scripts. Russell Davies, the show’s writer and co-producer, creat- ed characters who felt no need to apologize for their lives or justify themselves, no compulsion to spell out exact- ly what they are feeling and why. It is left to the audience to figure out the ‘why’ for themselves. Invariably, peo- ple interject a bit of them- selves into the motivations of the characters, thus making the drama more compelling. As with many gay-themed dramas, the scathing remarks of the characters are among its highlights. When Stuart arrives at the maternity ward with Nathan to see his new son, Lisa snipes to Stuart and Romey, “So, you’ve both had a child on the same night.” On his ever-present cell phone, Vince describes a straight bar he has just entered, “It’s all true. Everything we’ve ever been told. Oh my God, flock wall- paper... Can you believe it, they’ve got toilets in which no one’s ever had sex.” Though Showtime is mak- ing alterations to Americanize the series (Nathan will be 17, the .,_action-. takes place in,- Pittsburgh, and all the charac- ters are being renamed), there’s no doubt there will be December 2000 I Out in the Mountains [21 is America? Queer as Folk Premiere episode - December 3, 2000 - Showtime controversy. In Britain, the controver- sial nature of the show led the show’s sponsor, Beck’s Beer, to pull out. Things are no dif- ferent here, where even the suggestion of what Queer as Folk might air has led a slew of companies to shun lucra- tive product placement opportunities. New York mag- azine has reported that major brands, including Versace, Ralph Lauren, Perry Ellis, Old Navy, and Abercrombie & Fitch, have refused to be associated with the show. The NFL was so concerned that its name or that of the Pittsburgh Steelers would be mentioned on the show that its marketing director wrote to the producer demanding the removal of any such references from the RELATED WEB SITES .Showtirne - 'queer.sho.com In the Life - inthelifetv.org CITV - www.c1tv.com PlanetOut - p|anetout.com a&e: script. The controversy has creat- ed good word of mouth for the show. That, combined with the posting of video clips on the Internet, has whetted American appetites. Anticipation was further heightened when GLBT tele- vision newsmagazine In the Life produced a documentary about the show. Though the series has been available in England for some time, European videotape and DVD format incompatibility with American players mean the Showtime version will be the first chance for most peo- ple to see what all the fuss is about. CITV, a small cable television network, controls distribution rights to the British version in the U.S. It did air the series in a number of markets, but cut much of the sexual content. (The only way to see the original series in its uncut form is to order VHS tapes from the CITV Web site or through PlanetOut.) T» American fan site - geocities.com/queerasfolkfanl ‘_ British fan site - que~erosfolk.virtua|ove.net/