Porter Thayer was born Porter Charlie Thayer on January 6, 1882 on Main Street in Williamsville, Vermont. He grew up in the red house called the Tillotson Place in the Parish section of Newfane, Vermont.

He photographed Windham County, Vermont, beginning in 1906 through around 1920. Like most Vermont men of his generation he was a farmer, specifically an apple orchardist, managing his 50 acre apple orchard on Baker Brook Farm in Newfane. He turned to his apple business after ending his photographic career.

The postcard craze that most likely reached Vermont by about 1905, was perhaps the impetus for Porter Thayer starting up a photographic business. His diaries tell that he sold 1,197 postal cards during a six-month period at the height of his career. The cards were for sale as souvenirs to summer tourists at small general stores, local inns, boarding houses and hotels. Local folks purchased his photographs as well, especially around the Christmas season, to send to distant relatives. A Brattleboro, Vermont directory of 1909 lists Porter as advertising that he would come to anyone’s home and make images for a reasonable fee. Around 1911 he recorded that he had 720 customers. Eventually he photographed in all the towns within a 25 mile radius of his home in Newfane.

Porter Thayer perfectly fits the archetype of the town photographer. He traveled the narrow dirt roads in his buggy, behind his faithful mare Lady, who accompanied him daily. He could apparently take extended naps while Lady brought him safely home, as she always knew the way. He used two cameras: a 5 x 7 and a 6.5 x 8.5 view camera and made glass dry-plate negatives. He traveled with stacks of postcards to be delivered at stores along the way to his days work.

Working continually through seasons and years, Porter Thayer left an archive that is a cultural treasure for southeastern Vermont. The quality of his work shows that he was able to combine business needs with aesthetic ones. During the time period Porter worked, Vermont was extremely poor and rural, yet held a close-knit population that shared the labors of life. Farmers helped one another to survive in a subsistence and barter economy. For women, men, and children, life meant constant work. Thayer’s images describe the work and the tools involved. His landscape images reveal this working landscape, which today is mostly hidden by trees. The fruits of his labor as a photographer have grown in importance, as both the landscape and culture of Vermont has shifted into modern spheres of living.

Written by Jessica Weitz and Forrest Holzapfel, 2010.
Show less

The photographs were taken by Elgin Gates, a North Danville blacksmith. Other notable figures in this collection are Frank Valley, a carpenter responsible for a lot of the new barns built at this time and the remodeling of many local houses who was known for his meticulous craftmanship, and Arthur Sanborn, who owned the sawmill and whose home had modern touches such as electricity, an aluminum roof, and a stained glass window. The mill owned by Sanborn had previously been run by the McFarlands and produced one million board feet a year at its peak.

The titles and frequency of publications have changed over the years. The first publication, U.V.M. Notes, was issued monthly during the school year. In 1921, the title changed to Vermont Alumni Weekly, reflecting a much more ambitious publication schedule. From 1937 to 1980, alumni publications appeared monthly under eight different titles and in several formats. Since 1980, the alumni magazine has been published quarterly for alumni, parents of students, faculty and staff, and friends of UVM.

The Women’s Suffrage in Vermont Collection include VESA annual meeting reports and correspondence, legislation, promotional materials such as broadsides and leaflets, and photographs.

HISTORY

In 1870, the Vermont Council of Censors proposed an amendment to the state constitution calling for full suffrage for women. A group of men formed the Vermont Woman Suffrage Association to support the amendment, which failed by a vote of 231 to 1 at the constitutional convention. Ten years later, taxpaying women did obtain the right to vote and hold office in school districts. The Vermont Woman Suffrage Association (VWSA) reorganized in 1884 and focused on achieving woman suffrage in municipal elections by introducing voting rights legislation, advocating in newspapers, and holding meetings and rallies with local and national speakers. The VWSA, which became the Vermont Equal Suffrage Association (VESA) in 1907, worked closely with the American Woman Suffrage Association, later the National American Woman Suffrage Association. Anti-suffragists formed the Vermont Association Opposed to Woman Suffrage in 1912, and by 1917, when the Vermont legislature passed a law that allowed taxpaying women to vote in local elections, the organization claimed over 5,000 members.

VESA continued to push for full suffrage, and came close in 1919 when the legislature passed a bill allowing women to vote in presidential elections. Governor Clement refused to sign the bill, and the House of Representatives upheld his veto. After Congress passed the Nineteenth Amendment in 1919, VESA members campaigned vigorously to have the legislature consider state ratification, but Governor Clement refused to call a special session and the amendment was ratified in 1920 without Vermont’s support. With the right to vote obtained, VESA dissolved and the new Vermont League of Women Voters took on the task of educating Vermont women about civic responsibilities.

FURTHER READING

Clifford, Deborah P. The Drive for Women's Municipal Suffrage in Vermont 1883-1917. Vermont History 47, no. 3 (1979): 173-190.

Clifford, Deborah P. An Invastion of Strong-Minded Women: The Newspapers and the Woman Suffrage Campaign in Vermont in 1870. Vermont History 43, no. 1 (1975): 1-19.